A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 288
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
Pagina 295
... contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some purpose in mind if I extend my arm for a certain purpose . And the caprice or the purposefulness is ...
... contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some purpose in mind if I extend my arm for a certain purpose . And the caprice or the purposefulness is ...
Pagina 450
... contemplation rather than as a productive art , and if modern philosophy accepts this conclusion , then the only logical course is relative disparagement of all forms of production , since they are modes of practice which is by ...
... contemplation rather than as a productive art , and if modern philosophy accepts this conclusion , then the only logical course is relative disparagement of all forms of production , since they are modes of practice which is by ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole