A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 193
... course in quite different manipulations from those of the wroughtiron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
... course in quite different manipulations from those of the wroughtiron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
Pagina 305
... course we all know that , objects the Reader , and of course nobody imagines that the rock and the earth of the mountain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if it ...
... course we all know that , objects the Reader , and of course nobody imagines that the rock and the earth of the mountain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if it ...
Pagina 370
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole