A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina xx
... creative life . The artist has two rôles : to excite to happiness and vital- ity , and to destroy misery and deadening oppression . He does this not didactically but by the expression of values . Although his function is often to reveal ...
... creative life . The artist has two rôles : to excite to happiness and vital- ity , and to destroy misery and deadening oppression . He does this not didactically but by the expression of values . Although his function is often to reveal ...
Pagina 56
... creative en- deavor . He then learns to control his phantasies , and thus to sublimate his sexual impulse in creative art . Or , in other words , the vague and instinctive forces of life are made to serve the critical demands of ...
... creative en- deavor . He then learns to control his phantasies , and thus to sublimate his sexual impulse in creative art . Or , in other words , the vague and instinctive forces of life are made to serve the critical demands of ...
Pagina 450
... creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy was correct in thinking of knowl- edge as contemplation rather than as a ...
... creative , " while taste is relatively posses- sive and passive , dependent for its material upon the ac- tivities of the creative artist . If Greek philosophy was correct in thinking of knowl- edge as contemplation rather than as a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words