A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 16
... dances without , however , being real dances . If a child trips over the street in rhythmic two - step or three - step or hops first with one foot and then another over the gutter onto the curb ( in Tübingen one calls this " Staeffele ...
... dances without , however , being real dances . If a child trips over the street in rhythmic two - step or three - step or hops first with one foot and then another over the gutter onto the curb ( in Tübingen one calls this " Staeffele ...
Pagina 25
... dancer and the spectators , are based on feelings of illusion . To be sure , serious emo- tions may very easily ... dances for the sake of the dance , man for the sake of woman . For man the dance is a means to an end , for woman it is ...
... dancer and the spectators , are based on feelings of illusion . To be sure , serious emo- tions may very easily ... dances for the sake of the dance , man for the sake of woman . For man the dance is a means to an end , for woman it is ...
Pagina 112
... dancers to seek in ever - increasing excitement deliverance from the burden of their feelings . No movement could be more eloquently expressive of the corresponding psychical state than the peculiar toss of the head and the backward ...
... dancers to seek in ever - increasing excitement deliverance from the burden of their feelings . No movement could be more eloquently expressive of the corresponding psychical state than the peculiar toss of the head and the backward ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words