A Modern Book of Esthetics: An Anthology |
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Pagina 62
At first another distinction might perhaps seem preferable — it is far more obvious - e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
At first another distinction might perhaps seem preferable — it is far more obvious - e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
Pagina 75
internet 178 rrez factice OUISE C stact ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists ...
internet 178 rrez factice OUISE C stact ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists ...
Pagina 76
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |