A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 98
The man intended for science is he whose imagination has no modifying influence over the results of his direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality ...
The man intended for science is he whose imagination has no modifying influence over the results of his direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality ...
Pagina 262
Those who find the chief importance of art or of philosophy in its relation to conduct or its practical utility — those who cannot value things as ends in themselves or , at any rate , as direct means to emotion - will never get from ...
Those who find the chief importance of art or of philosophy in its relation to conduct or its practical utility — those who cannot value things as ends in themselves or , at any rate , as direct means to emotion - will never get from ...
Pagina 406
The machine was a direct expression of its own functions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been solved ...
The machine was a direct expression of its own functions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been solved ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole