A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 182
... direction only has she forgotten to rivet the perception to the need . And since each direction corre- sponds to what we call a sense - through one of his senses , and through that sense alone , is the artist usually wedded to art ...
... direction only has she forgotten to rivet the perception to the need . And since each direction corre- sponds to what we call a sense - through one of his senses , and through that sense alone , is the artist usually wedded to art ...
Pagina 383
... direction rather than another . It becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . " Yet once more ...
... direction rather than another . It becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . " Yet once more ...
Pagina 451
... direction into achieved and enjoyed mean- ings , sums up in itself all the issues which have been previ- ously considered . Thought , intelligence , science is the in- tentional direction of natural events to meanings capable of ...
... direction into achieved and enjoyed mean- ings , sums up in itself all the issues which have been previ- ously considered . Thought , intelligence , science is the in- tentional direction of natural events to meanings capable of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words