A Modern Book of Esthetics: An Anthology |
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Pagina 62
In regard to all esthetic values I now avail myself of this fundamental distinction :
in every individual case I ask myself has hunger or has superabundance been
creative here ? At first another distinction might perhaps seem preferable — it is
far ...
In regard to all esthetic values I now avail myself of this fundamental distinction :
in every individual case I ask myself has hunger or has superabundance been
creative here ? At first another distinction might perhaps seem preferable — it is
far ...
Pagina 129
... the distinction between non - esthetic pleasures and esthetic pleasures cannot
arise by difference between pleasures in ... pleasure is esthetic or not , that we
find ourselves making the distinction between the two fields in an act of judgment
.
... the distinction between non - esthetic pleasures and esthetic pleasures cannot
arise by difference between pleasures in ... pleasure is esthetic or not , that we
find ourselves making the distinction between the two fields in an act of judgment
.
Pagina 463
The distinction has a rough practical value , but cannot be pressed too far . For in
production of a painting or a poem , as well as in making a vase or a temple , a
perception is also employed as means for something beyond itself . Moreover ...
The distinction has a rough practical value , but cannot be pressed too far . For in
production of a painting or a poem , as well as in making a vase or a temple , a
perception is also employed as means for something beyond itself . Moreover ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |