A modern book of esthetics: an anthology |
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Pagina 62
In regard to all esthetic values I now avail myself of this fundamental distinction:
in every individual case I ask myself has hunger or has superabundance been
creative here? At first another distinction might perhaps seem preferable— it is far
...
In regard to all esthetic values I now avail myself of this fundamental distinction:
in every individual case I ask myself has hunger or has superabundance been
creative here? At first another distinction might perhaps seem preferable— it is far
...
Pagina 129
Now if no pleasure of impression can be cut away from the rest and held to be
non-esthetic, then it is apparent that the distinction between non-esthetic
pleasures and esthetic pleasures cannot arise by difference between pleasures
in ...
Now if no pleasure of impression can be cut away from the rest and held to be
non-esthetic, then it is apparent that the distinction between non-esthetic
pleasures and esthetic pleasures cannot arise by difference between pleasures
in ...
Pagina 463
The distinction has a rough practical value, but cannot be pressed too far. For in
production of a painting or a poem, as well as in making a vase or a temple, a
perception is also employed as means for something beyond itself. Moreover, the
...
The distinction has a rough practical value, but cannot be pressed too far. For in
production of a painting or a poem, as well as in making a vase or a temple, a
perception is also employed as means for something beyond itself. Moreover, the
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |