A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina xxv
... drama , compare it to others , and make it the subject of an infinite series of judgments . But the point is that such knowledge does not constitute the act of apprehending the drama qua drama , i.e. , seeing it acted and enjoying it ...
... drama , compare it to others , and make it the subject of an infinite series of judgments . But the point is that such knowledge does not constitute the act of apprehending the drama qua drama , i.e. , seeing it acted and enjoying it ...
Pagina 26
... drama in its erotic aspects is not different from lyric poetry . For also in the drama both the player and the spectator surrender to an illusion of love . Struggle and love , victory and destruction , form the chief content of tragedy ...
... drama in its erotic aspects is not different from lyric poetry . For also in the drama both the player and the spectator surrender to an illusion of love . Struggle and love , victory and destruction , form the chief content of tragedy ...
Pagina 378
... drama ) has been brought . The background fades ; the foreground satisfies , incites no move- ment ; and with the disappearance of the possibility of action which would connect the two , fades also that which dwells in this feeling of ...
... drama ) has been brought . The background fades ; the foreground satisfies , incites no move- ment ; and with the disappearance of the possibility of action which would connect the two , fades also that which dwells in this feeling of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words