A modern book of esthetics: an anthology |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 186
The greater the work and the more profound the dimly apprehended truth, the
longer may the effect be in coming, but, on the other hand, the more universal will
that effect tend to become. So the universality here lies in the effect produced,
and ...
The greater the work and the more profound the dimly apprehended truth, the
longer may the effect be in coming, but, on the other hand, the more universal will
that effect tend to become. So the universality here lies in the effect produced,
and ...
Pagina 190
To penetrate too far into the personality, to couple the outer effect with causes
that are too deep- seated, would mean to endanger and in the end to sacrifice all
that was laughable in the effect. In order that we may be tempted to laugh at it, we
...
To penetrate too far into the personality, to couple the outer effect with causes
that are too deep- seated, would mean to endanger and in the end to sacrifice all
that was laughable in the effect. In order that we may be tempted to laugh at it, we
...
Pagina 365
When he says the water "contains" the salt and the gases, he means that certain
processes, for instance evaporation, have the effect of transforming the given
substance into such salt and such gases, while nobody could get salt out of a ...
When he says the water "contains" the salt and the gases, he means that certain
processes, for instance evaporation, have the effect of transforming the given
substance into such salt and such gases, while nobody could get salt out of a ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words