A Modern Book of Esthetics: An Anthology |
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Pagina 127
If now we eliminate in thought the pleasurable elements one by one , we find that while in the main the object does not change its mass , its esthetic quality gradually disappears . may acknowledge still that the object has a right to ...
If now we eliminate in thought the pleasurable elements one by one , we find that while in the main the object does not change its mass , its esthetic quality gradually disappears . may acknowledge still that the object has a right to ...
Pagina 232
SUCC ha DEWITT H. PARKER SI tona THE PROBLEM OF ESTHETIC FORM aure T tema coun hent De I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide the elements of what might be ...
SUCC ha DEWITT H. PARKER SI tona THE PROBLEM OF ESTHETIC FORM aure T tema coun hent De I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide the elements of what might be ...
Pagina 244
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which ... These elements always embody the theme in an emphatic way , and have a significance far greater than any of the ...
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which ... These elements always embody the theme in an emphatic way , and have a significance far greater than any of the ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole