A Modern Book of Esthetics: An Anthology |
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Pagina 127
If now we eliminate in thought the pleasurable elements one by one , we find that
while in the main the object does not change its mass , its esthetic quality
gradually disappears . We may acknowledge still that the object has a right to be
...
If now we eliminate in thought the pleasurable elements one by one , we find that
while in the main the object does not change its mass , its esthetic quality
gradually disappears . We may acknowledge still that the object has a right to be
...
Pagina 232
By this is meant the fact that each element in a work of art is necessary to its
value , that it contains no elements that are not thus necessary , and that all that
are needful are there . The beautiful object is organized all through , " baked all ...
By this is meant the fact that each element in a work of art is necessary to its
value , that it contains no elements that are not thus necessary , and that all that
are needful are there . The beautiful object is organized all through , " baked all ...
Pagina 244
Sometimes , although not always , there is some one element , or there may be
more , of a complex work of art which ... These elements always embody the
theme in an emphatic way , and have a significance far greater than any of the
other ...
Sometimes , although not always , there is some one element , or there may be
more , of a complex work of art which ... These elements always embody the
theme in an emphatic way , and have a significance far greater than any of the
other ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole