A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 84
... emotion ( like Wordsworth's “ emo- tion remembered in tranquillity " ) . In comparison with Véron , Tolstoy presents a more anti - hedonistic and moral interpretation of art . In doing so , he has mingled two ideas which have nothing ...
... emotion ( like Wordsworth's “ emo- tion remembered in tranquillity " ) . In comparison with Véron , Tolstoy presents a more anti - hedonistic and moral interpretation of art . In doing so , he has mingled two ideas which have nothing ...
Pagina 246
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Pagina 464
... emotion.1 In such a statement emotion either has no significance at all , and it is mere accident that this particular combination of letters is employed ; or else , if by emotion is meant the same sort of thing that is called emotion ...
... emotion.1 In such a statement emotion either has no significance at all , and it is mere accident that this particular combination of letters is employed ; or else , if by emotion is meant the same sort of thing that is called emotion ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words