A modern book of esthetics: an anthology |
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Pagina 110
The more therefore the work grows in defmiteness in the thought and under the
hand of the artist, the more it will repress and subdue the chaotic tumult of
emotional excitement. The Dionysiac rapture, as the ancients would have said,
gives ...
The more therefore the work grows in defmiteness in the thought and under the
hand of the artist, the more it will repress and subdue the chaotic tumult of
emotional excitement. The Dionysiac rapture, as the ancients would have said,
gives ...
Pagina 271
It is not a mere recognition of order and interrelation; every part, as well as the
whole, becomes suffused with an emotional tone. Now, from our definition of this
pure beauty, the emotional tone is not due to any recognizable reminiscence or ...
It is not a mere recognition of order and interrelation; every part, as well as the
whole, becomes suffused with an emotional tone. Now, from our definition of this
pure beauty, the emotional tone is not due to any recognizable reminiscence or ...
Pagina 465
It is intelligible that art should select and assemble objective things in such ways
as to evoke emotional response of a refined, sensitive and enduring kind; it is
intelligible that the artist himself is one capable of sustaining these emotions,
under ...
It is intelligible that art should select and assemble objective things in such ways
as to evoke emotional response of a refined, sensitive and enduring kind; it is
intelligible that the artist himself is one capable of sustaining these emotions,
under ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words