A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 44
as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between appearance and ...
as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between appearance and ...
Pagina 293
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
Pagina 294
Secondly , the object of esthetic enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so far as I feel and experience it in myself , this strong , proud , free ego .
Secondly , the object of esthetic enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so far as I feel and experience it in myself , this strong , proud , free ego .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole