A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 44
An Anthology Melvin Miller Rader. as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious ...
An Anthology Melvin Miller Rader. as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious ...
Pagina 293
... enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of ...
... enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of ...
Pagina 294
... enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so ... enjoyment of an object , which however , so far as it is the object of enjoyment , is not an object , but myself ...
... enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so ... enjoyment of an object , which however , so far as it is the object of enjoyment , is not an object , but myself ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole