A Modern Book of Esthetics: An Anthology |
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Pagina 44
as the very essence of esthetic enjoyment . In a passage on conscious self -
deception he goes still further : “ Artistic enjoyment thus appears as a variable
floating condition , a free and conscious movement between appearance and
reality ...
as the very essence of esthetic enjoyment . In a passage on conscious self -
deception he goes still further : “ Artistic enjoyment thus appears as a variable
floating condition , a free and conscious movement between appearance and
reality ...
Pagina 293
In this sense the question about the object of esthetic enjoyment may be
answered in a two - fold manner . On the one hand it can be said : Esthetic
pleasure has no object at all . The esthetic enjoyment is not enjoyment of an
object , but ...
In this sense the question about the object of esthetic enjoyment may be
answered in a two - fold manner . On the one hand it can be said : Esthetic
pleasure has no object at all . The esthetic enjoyment is not enjoyment of an
object , but ...
Pagina 294
Secondly , the object of esthetic enjoyment is this sensuously perceived , this
observed figure ; not the figure as such , however , but the figure so far as I feel
and experience it in myself , this strong , proud , free ego . The specific
characteristic ...
Secondly , the object of esthetic enjoyment is this sensuously perceived , this
observed figure ; not the figure as such , however , but the figure so far as I feel
and experience it in myself , this strong , proud , free ego . The specific
characteristic ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole