A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 44
... enjoyment . " " 8 7 I am fully convinced of the truth of the central proposi- tion of this luminous passage , the more since I have come to a similar conclusion in investigating the relation of the sublime to the comic . But a close ...
... enjoyment . " " 8 7 I am fully convinced of the truth of the central proposi- tion of this luminous passage , the more since I have come to a similar conclusion in investigating the relation of the sublime to the comic . But a close ...
Pagina 293
... enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of ...
... enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of ...
Pagina 449
... enjoyment of them was on a higher plane than enjoyment of works of art . These conceptions were consistent with one another and with the conditions of social life at the time . Nowadays we have a messy conjunction of notions that are ...
... enjoyment of them was on a higher plane than enjoyment of works of art . These conceptions were consistent with one another and with the conditions of social life at the time . Nowadays we have a messy conjunction of notions that are ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words