A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 149
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , “ is relatively stable , or real pleasure ...
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , “ is relatively stable , or real pleasure ...
Pagina 253
... essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three ...
... essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three ...
Pagina 417
... essential nature , imposes a great purification of esthetics : that is , it strips off from the object all the barnacles of asso- ciation , all the sentimental and pecuniary values which have nothing whatever to do with esthetic form ...
... essential nature , imposes a great purification of esthetics : that is , it strips off from the object all the barnacles of asso- ciation , all the sentimental and pecuniary values which have nothing whatever to do with esthetic form ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words