A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 128
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
Pagina 248
... esthetic theories only by affecting my esthetic experience . All systems of esthetics must be based on personal experience - that is to say , they must be subjective . Yet , though all esthetic theories must be based on esthetic ...
... esthetic theories only by affecting my esthetic experience . All systems of esthetics must be based on personal experience - that is to say , they must be subjective . Yet , though all esthetic theories must be based on esthetic ...
Pagina 482
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London ...
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words