A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 246
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Pagina 249
... feel for her an esthetic emotion ; but I am satisfied that , as a rule , most people feel a very different kind of emotion for birds and flowers and the wings of butterflies from that which they feel for pictures , pots , temples , and ...
... feel for her an esthetic emotion ; but I am satisfied that , as a rule , most people feel a very different kind of emotion for birds and flowers and the wings of butterflies from that which they feel for pictures , pots , temples , and ...
Pagina 259
... esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ; men change their institutions and their customs as they change their coats ; the intellectual triumphs of one age are the follies of ...
... esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ; men change their institutions and their customs as they change their coats ; the intellectual triumphs of one age are the follies of ...
Sommario
Ludovici | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words