A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 246
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Pagina 247
... feeling for it . The objects that provoke esthetic emotion vary with each individual . Esthetic judgments are , as the saying goes , matters of taste ; and about tastes , as every one is proud to admit , there is no disputing . A good ...
... feeling for it . The objects that provoke esthetic emotion vary with each individual . Esthetic judgments are , as the saying goes , matters of taste ; and about tastes , as every one is proud to admit , there is no disputing . A good ...
Pagina 265
... emotion is an emotion about form . In certain ple , purely formal relations of certain kinds arouse pe- culiarly profound emotions , or rather I ought to say the recognition by them of particular kinds of formal rela- tions arouse these ...
... emotion is an emotion about form . In certain ple , purely formal relations of certain kinds arouse pe- culiarly profound emotions , or rather I ought to say the recognition by them of particular kinds of formal rela- tions arouse these ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words