A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 288
... esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by im- agination and charged with vital meaning . It is the beauti- ful thing contemplated , and is therefore to ...
... esthetic object . " It consists of the " sensuous appearance , " not the bare physical object , but the image as remodeled by im- agination and charged with vital meaning . It is the beauti- ful thing contemplated , and is therefore to ...
Pagina 378
... object of esthetic feeling . We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion ; we cannot ... esthetic circle stifled , is , too , only a superficial , and , so to speak , a negative condition . The real ...
... object of esthetic feeling . We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion ; we cannot ... esthetic circle stifled , is , too , only a superficial , and , so to speak , a negative condition . The real ...
Pagina 465
... esthetic object.2 Un- less the meaning of the term is so isolated as to be wholly occult , it denotes a selection , for sake of emphasis , purity , subtlety , of those forms which give consummatory signifi- cance to everyday subject ...
... esthetic object.2 Un- less the meaning of the term is so isolated as to be wholly occult , it denotes a selection , for sake of emphasis , purity , subtlety , of those forms which give consummatory signifi- cance to everyday subject ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words