A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina xvii
... esthetic value is adequately formulated in the concept of beauty . But in modern times , Véron and Tol- stoy have challenged the entire theory of beauty sponsored by classical esthetics . The revolutionary effect of Tol- stoy's theory ...
... esthetic value is adequately formulated in the concept of beauty . But in modern times , Véron and Tol- stoy have challenged the entire theory of beauty sponsored by classical esthetics . The revolutionary effect of Tol- stoy's theory ...
Pagina 128
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
... esthetic value of the whole form . One special mountain of great natural charm has lost for me all of its impressiveness , because a light - hearted companion once compared its autumn color- ing with that of " corned - beef hash . " It ...
Pagina 469
... esthetic value . Also the emergent value is the measure of the individualization of the activity . We must foster the creative initiative towards the maintenance of objective values . You will not obtain the apprehension without the ...
... esthetic value . Also the emergent value is the measure of the individualization of the activity . We must foster the creative initiative towards the maintenance of objective values . You will not obtain the apprehension without the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words