A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina xvi
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking them- selves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking them- selves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
Pagina 164
... estheticians also ; who very readily effected a transaction with it , permitting it to provide pleasures that were not moral , provided they were not openly dishonest , or recommending it to employ to a good end the dominion that ...
... estheticians also ; who very readily effected a transaction with it , permitting it to provide pleasures that were not moral , provided they were not openly dishonest , or recommending it to employ to a good end the dominion that ...
Pagina 457
... Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic ap- preciation is called a good in itself , or that strange thing an end in itself . But on both sides it is true that ...
... Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic ap- preciation is called a good in itself , or that strange thing an end in itself . But on both sides it is true that ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words