A Modern Book of Esthetics: An Anthology |
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Pagina xix
The account of the pig - killing in Hardy's novel , Jude the Obscure , for example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the ...
The account of the pig - killing in Hardy's novel , Jude the Obscure , for example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the ...
Pagina 55
1 CHAPTER II INTRODUCTORY NOTE One of the first persons to challenge the theory of the disinterestedness of art , as it finds expression , for example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) ...
1 CHAPTER II INTRODUCTORY NOTE One of the first persons to challenge the theory of the disinterestedness of art , as it finds expression , for example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) ...
Pagina 101
To take the simplest example : one man laughs , and another , who hears , becomes merry ; or a man weeps , and another , who hears , feels sorrow . A man is excited or irritated , and another man , seeing him , comes to a similar state ...
To take the simplest example : one man laughs , and another , who hears , becomes merry ; or a man weeps , and another , who hears , feels sorrow . A man is excited or irritated , and another man , seeing him , comes to a similar state ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole