A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 58
... existence , as that which remains the same , and equally mighty and blissful throughout all change ; the great pantheistic sympathy with pleasure and pain , which declares even the most terrible and most ques- tionable qualities of ...
... existence , as that which remains the same , and equally mighty and blissful throughout all change ; the great pantheistic sympathy with pleasure and pain , which declares even the most terrible and most ques- tionable qualities of ...
Pagina 66
... existence . Metaphysics , morality , religion , science - in this book , all these things are regarded merely as ... existence . He himself is indeed a piece of reality , of truth , of nature : how could he help being also a piece of ...
... existence . Metaphysics , morality , religion , science - in this book , all these things are regarded merely as ... existence . He himself is indeed a piece of reality , of truth , of nature : how could he help being also a piece of ...
Pagina 288
... existence as a result of the fusion of these two factors . The ego unconsciously supposes it- self at one with the object , and there is no longer any duality . Empathy simply means the disappearance of the two - fold consciousness of ...
... existence as a result of the fusion of these two factors . The ego unconsciously supposes it- self at one with the object , and there is no longer any duality . Empathy simply means the disappearance of the two - fold consciousness of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words