A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxviii
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Pagina 369
Neither the scientist nor the artist gives us the world of immediate experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an ...
Neither the scientist nor the artist gives us the world of immediate experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an ...
Pagina 447
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole