A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxviii
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
Pagina 78
... experience appears dissociated against the background of the mind , and becomes possessed , like the phenomenal objects of outer experience , with the sem- blance of independent reality . The failure of impulse to pass over into action ...
... experience appears dissociated against the background of the mind , and becomes possessed , like the phenomenal objects of outer experience , with the sem- blance of independent reality . The failure of impulse to pass over into action ...
Pagina 369
... experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and thus cut loose and separated from every- thing else ...
... experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and thus cut loose and separated from every- thing else ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words