A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxviii
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
Pagina 369
... experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and thus cut loose and separated from everything else ...
... experience , as in our real life we experience neither a system of connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and thus cut loose and separated from everything else ...
Pagina 447
An Anthology Melvin Miller Rader. JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the ... EXPERIENCE, NATURE, AND From Experience and ...
An Anthology Melvin Miller Rader. JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the ... EXPERIENCE, NATURE, AND From Experience and ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole