A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina xix
... expression that excites admiring contemplation . Beauty may result either from the nature of what is expressed or from the success of expression . Even when the subject - matter to be expressed is painful or ugly - negative values ...
... expression that excites admiring contemplation . Beauty may result either from the nature of what is expressed or from the success of expression . Even when the subject - matter to be expressed is painful or ugly - negative values ...
Pagina xxii
... expression includes feelings of every type , whether positive or negative . But he maintains that beauty is achieved whenever these feelings are completely expressed . " Expression and Beauty , " he declares , “ are not two concepts ...
... expression includes feelings of every type , whether positive or negative . But he maintains that beauty is achieved whenever these feelings are completely expressed . " Expression and Beauty , " he declares , “ are not two concepts ...
Pagina 174
... expression . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing . He who separates intuition from expression ...
... expression . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing . He who separates intuition from expression ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole