A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 37
... external aim , but simply in obedience to hereditary propensity ) through what is sub- jectively considered akin to work , up to make - believe ac- tivity with an external aim as its second stage . Finally , as the outward aim gives way ...
... external aim , but simply in obedience to hereditary propensity ) through what is sub- jectively considered akin to work , up to make - believe ac- tivity with an external aim as its second stage . Finally , as the outward aim gives way ...
Pagina 38
... external aim , the subjugation of his opponent , remains and tries hard to break through these restraints . Now , the full - grown dog romps with his master and the make - believe is fully de- veloped and conscious , for his bite is ...
... external aim , the subjugation of his opponent , remains and tries hard to break through these restraints . Now , the full - grown dog romps with his master and the make - believe is fully de- veloped and conscious , for his bite is ...
Pagina 181
... external objects , but even our own men- tal states , are screened from us in their inmost , their sonal aspect , in ... externally to things , externally also to our- selves . From time to time , however , in a fit of absent- mindedness ...
... external objects , but even our own men- tal states , are screened from us in their inmost , their sonal aspect , in ... externally to things , externally also to our- selves . From time to time , however , in a fit of absent- mindedness ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words