A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 69
... life has not been clearly understood . I can tell you as much as this about it . You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and ...
... life has not been clearly understood . I can tell you as much as this about it . You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and ...
Pagina 109
... reality in the finished work of art . Such an influence is unmistakable in the most illustrious instance of artistic ... external form affords . Thus , to begin with , by its character as a palpable , ob- jective reality , the work of ...
... reality in the finished work of art . Such an influence is unmistakable in the most illustrious instance of artistic ... external form affords . Thus , to begin with , by its character as a palpable , ob- jective reality , the work of ...
Pagina 137
... External objects usually affect various senses at once , the impressions of ... external thing for their cause . But this percept , once formed , is clearly ... reality , and the materials of it merely the appear- ance . The distinction ...
... External objects usually affect various senses at once , the impressions of ... external thing for their cause . But this percept , once formed , is clearly ... reality , and the materials of it merely the appear- ance . The distinction ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words