A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 9
... fact that there are also forms of play in which illusion cannot be present , and also by the fact that the purposeless activities of the four lower senses are taken generally as forms of sensual pleasure . The concept of play is ...
... fact that there are also forms of play in which illusion cannot be present , and also by the fact that the purposeless activities of the four lower senses are taken generally as forms of sensual pleasure . The concept of play is ...
Pagina 97
... fact the question of personality in art . ... Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
... fact the question of personality in art . ... Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
Pagina 174
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words