A Modern Book of Esthetics: An Anthology |
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Pagina 49
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make - believe . This is now the place
for such an inquiry : : I have throughout this whole treatise spoken not of the idea
...
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make - believe . This is now the place
for such an inquiry : : I have throughout this whole treatise spoken not of the idea
...
Pagina 101
which The activity of art is based on the fact that a man receiving through his
sense of hearing or sight another man ' s expression of feeling , is capable of
experiencing the emotion which moved the man who expressed it . To take the
simplest ...
which The activity of art is based on the fact that a man receiving through his
sense of hearing or sight another man ' s expression of feeling , is capable of
experiencing the emotion which moved the man who expressed it . To take the
simplest ...
Pagina 102
If even the boy had not seen a wolf but had frequently been afraid of one , and if ,
wishing to evoke in others the fear he had felt , he invented an encounter with a
wolf , and recounted it so as to make his hearers share the feelings he ...
If even the boy had not seen a wolf but had frequently been afraid of one , and if ,
wishing to evoke in others the fear he had felt , he invented an encounter with a
wolf , and recounted it so as to make his hearers share the feelings he ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole