A modern book of esthetics: an anthology |
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Pagina 49
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry." I have throughout this whole treatise spoken not of the idea
but ...
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry." I have throughout this whole treatise spoken not of the idea
but ...
Pagina 101
The activity of art is based on the fact that a man receiving through his sense of
hearing or sight another man's expression of feeling, is capable of experiencing
the emotion which moved the man who expressed it. To take the simplest ...
The activity of art is based on the fact that a man receiving through his sense of
hearing or sight another man's expression of feeling, is capable of experiencing
the emotion which moved the man who expressed it. To take the simplest ...
Pagina 102
All this, if only the boy when telling the story, again experiences the feelings he
had lived through and infects the hearers and compels them to feel what the
narrator had experienced, is art. If even the boy had not seen a wolf but had
frequently ...
All this, if only the boy when telling the story, again experiences the feelings he
had lived through and infects the hearers and compels them to feel what the
narrator had experienced, is art. If even the boy had not seen a wolf but had
frequently ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words