A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 17
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the concepts attention and expectation are variously ...
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the concepts attention and expectation are variously ...
Pagina 168
... follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a full consciousness that such stuff is not art . Such instances are of the nature of ...
... follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a full consciousness that such stuff is not art . Such instances are of the nature of ...
Pagina 266
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole