A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 17
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the con- cepts attention and expectation are variously ...
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the con- cepts attention and expectation are variously ...
Pagina 185
... follows that art always aims at what is indi- vidual . What the artist fixes on his canvas is something he has seen ... follow that it is a general feeling . Nothing could be more unique than the character of Hamlet . Though he may HENRI ...
... follows that art always aims at what is indi- vidual . What the artist fixes on his canvas is something he has seen ... follow that it is a general feeling . Nothing could be more unique than the character of Hamlet . Though he may HENRI ...
Pagina 266
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words