A Modern Book of Esthetics: An Anthology |
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Pagina 46
Being denied metaphysical ideals , he directs his whole ethical force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is intrusted to his care .
Being denied metaphysical ideals , he directs his whole ethical force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is intrusted to his care .
Pagina 274
In the shooting of an arrow two forces are prominent , the strain of the bow - string back - drawn and the impetus of the released arrow on its flight . The strain and the direction - of - flight are nearly at right angles to the body ...
In the shooting of an arrow two forces are prominent , the strain of the bow - string back - drawn and the impetus of the released arrow on its flight . The strain and the direction - of - flight are nearly at right angles to the body ...
Pagina 336
Provided the Distance is not too wide , the result of its intervention has everywhere been to enhance the art - character of such works and to lower their original ethical and social force of appeal . Thus in the central dome of the ...
Provided the Distance is not too wide , the result of its intervention has everywhere been to enhance the art - character of such works and to lower their original ethical and social force of appeal . Thus in the central dome of the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole