A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 266
... formal design or scheme is impressed on our minds , and anything which departed violently from that would be not merely meaningless , but an outrage to our sense of order and proportion . We have then an immediate recognition of formal ...
... formal design or scheme is impressed on our minds , and anything which departed violently from that would be not merely meaningless , but an outrage to our sense of order and proportion . We have then an immediate recognition of formal ...
Pagina 280
... formal value of the lines used . It is a product of the fusion , often as unexpected and as novel as a chemical reaction . I admit the miracle , but I plead the fact . It is no more remarkable than the extreme intensification of emotion ...
... formal value of the lines used . It is a product of the fusion , often as unexpected and as novel as a chemical reaction . I admit the miracle , but I plead the fact . It is no more remarkable than the extreme intensification of emotion ...
Pagina 361
... formal balance without synaesthesis , they cite the following verses : " Thou , careless , awake ! Thou peacemaker , fight ! Stand England for honour 3 And God guard the Right ! " etc. Synaesthesis depends not merely on the formal ...
... formal balance without synaesthesis , they cite the following verses : " Thou , careless , awake ! Thou peacemaker , fight ! Stand England for honour 3 And God guard the Right ! " etc. Synaesthesis depends not merely on the formal ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words