A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 266
We have then an immediate recognition of formal design , of a trend in every part
towards a ... that you hear “ God Save the King ” for the first time ; it is possible
that you would get an emotion from the mere recognition of that formal system .
We have then an immediate recognition of formal design , of a trend in every part
towards a ... that you hear “ God Save the King ” for the first time ; it is possible
that you would get an emotion from the mere recognition of that formal system .
Pagina 280
its purely formal value with its representational quality arises a new thing which I
call the esthetic or artistic emotion . This new thing , which may be surprisingly
intense and vivid , is not discoverable either in the represented object per se or in
...
its purely formal value with its representational quality arises a new thing which I
call the esthetic or artistic emotion . This new thing , which may be surprisingly
intense and vivid , is not discoverable either in the represented object per se or in
...
Pagina 361
According to Ogden and his collaborators , Miss Puffer has endeavored to base
the esthetic experience too exclusively upon formal balance in the object . “ The
essential criticism of such an attempt , ” they state , “ is that an objective balance ...
According to Ogden and his collaborators , Miss Puffer has endeavored to base
the esthetic experience too exclusively upon formal balance in the object . “ The
essential criticism of such an attempt , ” they state , “ is that an objective balance ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole