A modern book of esthetics: an anthology |
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Pagina 140
An object cannot be beautiful if it can give pleasure to nobody: a beauty to which
all men were forever indifferent is a contradiction in terms. In the second place,
this value is positive, it is the sense of the presence of something good, or (in the
...
An object cannot be beautiful if it can give pleasure to nobody: a beauty to which
all men were forever indifferent is a contradiction in terms. In the second place,
this value is positive, it is the sense of the presence of something good, or (in the
...
Pagina 370
water, how it can be used, what is its economic value, how it will carry my boat,
what has caused its movements; but let us ask only once, what is it really that I
see; the water itself must give us the answer. Let it express itself, give to it, too, ...
water, how it can be used, what is its economic value, how it will carry my boat,
what has caused its movements; but let us ask only once, what is it really that I
see; the water itself must give us the answer. Let it express itself, give to it, too, ...
Pagina 373
We said that science connects but art isolates; that we find knowledge in
transforming the object so that it can be linked with all others, but that we find
beauty in transforming the object so that it stands for itself alone, gives us its own
reality, ...
We said that science connects but art isolates; that we find knowledge in
transforming the object so that it can be linked with all others, but that we find
beauty in transforming the object so that it stands for itself alone, gives us its own
reality, ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words