A Modern Book of Esthetics: An Anthology |
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Pagina 140
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which
all men were forever indifferent is a contradiction in terms . In the second place ,
this value is positive , it is the sense of the presence of something good , or ( in ...
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which
all men were forever indifferent is a contradiction in terms . In the second place ,
this value is positive , it is the sense of the presence of something good , or ( in ...
Pagina 370
i su 2012 20 water , how it can be used , what is its economic value , how it will
carry my boat , what has caused its movements ; but let us ask only once , what is
it really that I see ; the water itself must give us the answer . Let it express itself ...
i su 2012 20 water , how it can be used , what is its economic value , how it will
carry my boat , what has caused its movements ; but let us ask only once , what is
it really that I see ; the water itself must give us the answer . Let it express itself ...
Pagina 373
... in transforming the object so that it stands for itself alone , gives us its own
reality , separated from the rest of the world . ... the scientist explains where the
artist appreciates ; but both , that must be clear , aim to give us an understanding
of the ...
... in transforming the object so that it stands for itself alone , gives us its own
reality , separated from the rest of the world . ... the scientist explains where the
artist appreciates ; but both , that must be clear , aim to give us an understanding
of the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole