A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 293
... hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of a value that is lodged in oneself . But this is not a feel ...
... hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate feeling of a value that is lodged in oneself . But this is not a feel ...
Pagina 340
... hand in hand with a visibly greater predomi- nance of composition and " formal " elements , reaching a cli- max in architecture and music . It is again a matter of " con- sistency of Distance . " At the same time , while from the point ...
... hand in hand with a visibly greater predomi- nance of composition and " formal " elements , reaching a cli- max in architecture and music . It is again a matter of " con- sistency of Distance . " At the same time , while from the point ...
Pagina 445
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words