A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 89
... hand , we , for a similar reason , reject and contemn bold and vulgar works that by their shortcomings demonstrate the moral and intellectual mediocrity of their authors , and prove the latter to have mistaken their vocation ...
... hand , we , for a similar reason , reject and contemn bold and vulgar works that by their shortcomings demonstrate the moral and intellectual mediocrity of their authors , and prove the latter to have mistaken their vocation ...
Pagina 221
... hand in hand with sensi- bility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
... hand in hand with sensi- bility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
Pagina 445
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words