A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 89
... hand , we , for a similar reason , reject and contemn bold and vulgar works that by their shortcomings demonstrate the moral and intellectual mediocrity of their authors , and prove the latter to have mistaken their vocation ...
... hand , we , for a similar reason , reject and contemn bold and vulgar works that by their shortcomings demonstrate the moral and intellectual mediocrity of their authors , and prove the latter to have mistaken their vocation ...
Pagina 221
... hand in hand with sensibility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
... hand in hand with sensibility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
Pagina 445
... hand it is possible to satisfy this claim , so on the other hand it is impossible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
... hand it is possible to satisfy this claim , so on the other hand it is impossible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole