A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 346
It is enough to possess human sensibility and to allow the anxieties and joys of
others to echo within one ' s self . One can understand then why the art of the
nineteenth century has been so popular : it was made for the undifferentiated
masses ...
It is enough to possess human sensibility and to allow the anxieties and joys of
others to echo within one ' s self . One can understand then why the art of the
nineteenth century has been so popular : it was made for the undifferentiated
masses ...
Pagina 353
2004 cems Ticket more mistakes of the traditional artist point toward the “ human
object . ” They are failures on the road towards it . . . . In the new picture the
contrary happens : it is not that the painter errs , nor that his deviations from the ...
2004 cems Ticket more mistakes of the traditional artist point toward the “ human
object . ” They are failures on the road towards it . . . . In the new picture the
contrary happens : it is not that the painter errs , nor that his deviations from the ...
Pagina 354
In its flight away from the human it does not pay so much attention to the term " ad
quem , ” the strange fauna to which it arrives , as it does to the term “ a quo , " the
human aspect which it destroys . The thing is not to paint something completely ...
In its flight away from the human it does not pay so much attention to the term " ad
quem , ” the strange fauna to which it arrives , as it does to the term “ a quo , " the
human aspect which it destroys . The thing is not to paint something completely ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole