A Modern Book of Esthetics: An Anthology |
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Pagina 346
It is enough to possess human sensibility and to allow the anxieties and joys of others to echo within one's self . One can understand then why the art of the nineteenth century has been so popular : it was made for the undifferentiated ...
It is enough to possess human sensibility and to allow the anxieties and joys of others to echo within one's self . One can understand then why the art of the nineteenth century has been so popular : it was made for the undifferentiated ...
Pagina 353
mistakes of the traditional artist point toward the “ human object . " They are failures on the road towards it . . . . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the ...
mistakes of the traditional artist point toward the “ human object . " They are failures on the road towards it . . . . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the ...
Pagina 354
In the second place — and this is most important - the art of which we are talking is not only inhuman because it does not contain human things but it actively consists of the dehumanizing operation . In its flight away from the human ...
In the second place — and this is most important - the art of which we are talking is not only inhuman because it does not contain human things but it actively consists of the dehumanizing operation . In its flight away from the human ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole