A modern book of esthetics: an anthology |
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Pagina 346
It is enough to possess human sensibility and to 'allow the anxieties and joys of
others to echo within one's self. One can understand then why the art of the
nineteenth century has been so popular: it was made for the undifferentiated
masses ...
It is enough to possess human sensibility and to 'allow the anxieties and joys of
others to echo within one's self. One can understand then why the art of the
nineteenth century has been so popular: it was made for the undifferentiated
masses ...
Pagina 353
mistakes of the traditional artist point toward the "human object." They are failures
on the road towards it. . . . In the new picture the contrary happens: it is not that
the painter errs, nor that his deviations from the "natural" (nat- ural=human) fail to
...
mistakes of the traditional artist point toward the "human object." They are failures
on the road towards it. . . . In the new picture the contrary happens: it is not that
the painter errs, nor that his deviations from the "natural" (nat- ural=human) fail to
...
Pagina 354
In the second place— and this is most important— the art of which we are talking
is not only inhuman because it does not contain human things but it actively
consists of the dehumanizing operation. In its flight away from the human it does
not ...
In the second place— and this is most important— the art of which we are talking
is not only inhuman because it does not contain human things but it actively
consists of the dehumanizing operation. In its flight away from the human it does
not ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |