A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 346
... human sensibility and to allow the anxieties and joys of others to echo within one's self . One can understand then ... human , all too human ele- ments , which dominate romantic and naturalistic produc- tion . In this process the ...
... human sensibility and to allow the anxieties and joys of others to echo within one's self . One can understand then ... human , all too human ele- ments , which dominate romantic and naturalistic produc- tion . In this process the ...
Pagina 353
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
Pagina 354
... human things but it actively consists of the dehuman- izing operation . In its flight away from the human it does not pay so much attention to the term " ad quem , " the strange fauna to which it arrives , as it does to the term " a quo ...
... human things but it actively consists of the dehuman- izing operation . In its flight away from the human it does not pay so much attention to the term " ad quem , " the strange fauna to which it arrives , as it does to the term " a quo ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words