A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina xiv
... ideal of modern art : to express values , not to imitate or passively respond . A perusal of this book will indicate , I think , that the writers included either espouse this ideal or approximate it . For example , the " play theory ...
... ideal of modern art : to express values , not to imitate or passively respond . A perusal of this book will indicate , I think , that the writers included either espouse this ideal or approximate it . For example , the " play theory ...
Pagina 46
... ideal is only a dream , a beautiful chimera , but need not , therefore , be lost to us , for we may still enjoy the ideal in play ; and with this conception , the poet rises to new flights which open the classic period of his creation ...
... ideal is only a dream , a beautiful chimera , but need not , therefore , be lost to us , for we may still enjoy the ideal in play ; and with this conception , the poet rises to new flights which open the classic period of his creation ...
Pagina 299
... ideal one . This term is not clear . This " ideal " self , too , is real . But it is not the real " practical " self . It is the contemplative self , lingering and merged in the contemplation of the object . So far we have thought of ...
... ideal one . This term is not clear . This " ideal " self , too , is real . But it is not the real " practical " self . It is the contemplative self , lingering and merged in the contemplation of the object . So far we have thought of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words