A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 95
... ideas , and , through them , to manifest the power of conception and expansion possessed by the artist , must obviously be estimated , partly at least , by the moral or other value of the ideas and senti- ments in question . And , as ...
... ideas , and , through them , to manifest the power of conception and expansion possessed by the artist , must obviously be estimated , partly at least , by the moral or other value of the ideas and senti- ments in question . And , as ...
Pagina 138
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
Pagina 216
... ideas . The new champions of classicism are trying , on the contrary , to give form to an altogether modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines ...
... ideas . The new champions of classicism are trying , on the contrary , to give form to an altogether modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words