A Modern Book of Esthetics: An Anthology |
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Pagina 73
According to this tradition , art is a species of knowledge , imaginative knowledge
or intuition . The fact ... A very different conception of the value of art emerges
from the application to esthetics of recent theories of the imagination . Common to
...
According to this tradition , art is a species of knowledge , imaginative knowledge
or intuition . The fact ... A very different conception of the value of art emerges
from the application to esthetics of recent theories of the imagination . Common to
...
Pagina 169
Old Poetic availed itself above all of the concept of unity , in order to express this
distinction between the intuition and imagining , insisting that whatever the artistic
work , it should be simplex et unum ; or of the allied concept of unity in variety ...
Old Poetic availed itself above all of the concept of unity , in order to express this
distinction between the intuition and imagining , insisting that whatever the artistic
work , it should be simplex et unum ; or of the allied concept of unity in variety ...
Pagina 194
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole